LGW Community Exhibits for Extra Credit

These upcoming events, and my expectations for earning extra credit, are described in Canvas–> Assignments–> Extra Credit Reflection or in this document: Fall 2018 Community Exhibits.

 

The Grey

So during class today we wrote on the board “war profits” as a major topic in the text, but I feel like we didn’t go into it in A Farewell to Arms as much as we did others. That being said, I couldn’t help myself from being a total reject of a student during my sociology class and only thinking about the questions I had about it.

I think one of the reasons I like this book particularly more than the others we’ve read this semester is because Hemingway does a fantastic job of writing the grey. Frederic Henry is a grey character. He joined the war because he happened to be in Italy and he happened to speak Italian and he shows no real commitment or tie to anything. He is neither black nor white because he doesn’t feel a strong connection to any real part of the war or any consequence thereof and it was this realization that got me thinking.

The other characters in the text bring up the question of who profits from the war and we don’t get a strong response from Henry. In fact, he is one of the first people in the books we’ve read this semester that hasn’t really explained to us either his patriotism or nationalism (for all the confusion the pair offers). This is nothing short of puzzling to me.

Logically, America would’ve been one of the few nations to have profited off of the war. They entered the fighting late which must’ve already saved the American people a lot of money, but on top of that, they’ve had to have supplied some type of weaponry or finances to the countries at war or it would’ve risked jeopardizing previous alliances. So while these men are discussing in front of Henry’s character the idea that someone profits, I wonder if Henry was considering the profit his own nation gained or if he was simply being blissfully ignorant?

I think one of the most dangerous things we see in either of the world wars is this conflation of patriotism and nationalism and Hemingway’s decision to write Henry as a character who is either blissfully ignorant or completely and totally unwilling to acknowledge the threat of his own country to the lives of other people is both (if intentional) masterful and disheartening…or perhaps I’m just reading into things a little too much…

An Odd Appreciation of Death

In both All Quiet on the Western Front and Not So Quiet, we see such an odd appreciation for the escape from war death brings. In All Quiet, Paul and Kat see the dying recruit and consider shooting him to putting him out of his misery. In Not So Quiet, Helen sees in chapter two that one of the men she was transporting in her ambulance has died and says “He died as the stretcher-bearers lifted him out. I was glad…Out of hell at last” (Smith 40).

This disturbing appreciation of death is really jarring to me. Did anyone else have any similar reactions?

Florence: The Schedule

Friends, the schedule has been updated on Canvas and HERE.

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